
The Upper East Side Informer, (NYC)
"In the role of Senta, soprano Pamela Lloyd was riveting in every respect, showing a voice of excellent power and stamina as well as the ability to project both the character’s obsessiveness and her occasional lapses into normal behavior."
Staten Island Advance, Michael J. Fressola
“Pamela Lloyd was surprisingly good, a vivid Santuzza, wronged, pregnant and now discarded. She cut a slight figure with a big spinto voice.”
Classical Singer Magazine, Charles Handelman
“Outstanding was soprano Pamela Lloyd, who sang with the kind of verve and power that made me think that this is a future Salome, Tosca, or Butterfly, for she combined superb technical skills with a brilliance of tone, and remarkable full chest voice.”
Voce di Meche
"Ms. Lloyd used her big bright sound to great advantage in 'Vendetta' from Maria Tudor, backed by Maestro Rosenbaum's Canticum Novum Singers."
The New Yorker Magazine
“Pamela Lloyd sang the National Anthem in a thrilling voice.”
Roanoke Times and World-News (Virginia), Chris Gladden
“A personal favorite was Children of Eden by the powerful Pamela Lloyd, … first-rate”
The Village Voice (NYC)
“Ms. Lloyd as Bunny was consistently engaging…”
The Herald-Sun, (Durham, North Carolina), Kay McLain
“A highlight, Pamela Lloyd has a gimmick all her own, it’s called talent. ”
The News & Observer, (Raleigh, North Carolina), Charles Salter, Jr.
“...with a high-voltage smile, a city of characters inside her 5’6” frame”
"In the role of Senta, soprano Pamela Lloyd was riveting in every respect, showing a voice of excellent power and stamina as well as the ability to project both the character’s obsessiveness and her occasional lapses into normal behavior."
Staten Island Advance, Michael J. Fressola
“Pamela Lloyd was surprisingly good, a vivid Santuzza, wronged, pregnant and now discarded. She cut a slight figure with a big spinto voice.”
Classical Singer Magazine, Charles Handelman
“Outstanding was soprano Pamela Lloyd, who sang with the kind of verve and power that made me think that this is a future Salome, Tosca, or Butterfly, for she combined superb technical skills with a brilliance of tone, and remarkable full chest voice.”
Voce di Meche
"Ms. Lloyd used her big bright sound to great advantage in 'Vendetta' from Maria Tudor, backed by Maestro Rosenbaum's Canticum Novum Singers."
The New Yorker Magazine
“Pamela Lloyd sang the National Anthem in a thrilling voice.”
Roanoke Times and World-News (Virginia), Chris Gladden
“A personal favorite was Children of Eden by the powerful Pamela Lloyd, … first-rate”
The Village Voice (NYC)
“Ms. Lloyd as Bunny was consistently engaging…”
The Herald-Sun, (Durham, North Carolina), Kay McLain
“A highlight, Pamela Lloyd has a gimmick all her own, it’s called talent. ”
The News & Observer, (Raleigh, North Carolina), Charles Salter, Jr.
“...with a high-voltage smile, a city of characters inside her 5’6” frame”